The Song Is Played On Loudspeakers Throughout Pyongyang
A German court has ruled on a 2011 copyright infringement case and the verdict has disturbing consequences for parents. The ruling found that parents must name their child as the one responsible for downloading a torrent or they will be held responsible for the violation.
A series of recent cases have been defining how Germany’s legal system will handle parents who claim their innocence in illegal file-sharing but are being pursued by copyright claimants. The most recent involve a claim brought by Universal Music Group regarding the illegal downloading of Rihanna’s 2011 album Loud. The parents received a notice from Universal demanding payment. The parents said they weren’t really fans of Ri-Ri but one of their three children was responsible. They had no intention of snitching on their own kid and took their case to court.
In October 2016, the same court had to review a similar case in which a man denied pirating files and named his wife as a co-user of the household broadband connection. He refused to provide details his wife’s browsing habits and successfully argued that under German law citizens are protected from violating the privacy of their family.
However, this week’s verdict turned out with a different twist. The parents were found liable for the child’s torrenting and ordered to pay €3,879.80 ($4,137.61) in fines. The court chairman, Wolfgang Büscher, argued that this case “is not comparable” to the one from October because the child had admitted everything to their parents. Since the parents had admitted that they knew which child was responsible but refused to give a name they will have to “bear the corresponding disadvantages.”
This a blow to the parents of torrent-happy children across Germany and follows on the heels of a similar case from earlier in March. In those proceedings, a father claimed that his 11-year-old son had downloaded a book that was the subject of a copyright complaint. He explained that he had warned his son not to “download random things or do anything dangerous,” The judge ruled that the father would have to be held responsible.
Germany is considered one the best countries in the world for internet freedom and the protection of privacy, but very strict when it comes to the enforcement of copyright
It’s a blow to the parents of torrent-happy children across Germany and follows on the heels of a similar case from earlier in March. In those proceedings, a father claimed that his 11-year-old son had downloaded a book that was the subject of a copyright complaint. He explained that he had warned his son not to “download random things or do anything dangerous,” according to Torrent Freak. A judge ruled that the father is responsible for the download because he is required to “instruct a child on the illegality of participating in illegal file-sharing exchanges, and to explicitly prohibit this behavior.”
The tribute series is “Library of Congress Bibliodiscotheque” and it will showcase the music, dance and fashion represented in the national collections. Ms. Gaynor, whose disco hit “I Will Survive” was recently added to the National Recording Registry, is scheduled to perform on May 6 in the Jefferson Building’s Great Hall. That day, she will also be interviewed by the “Good Morning America” anchor Robin Roberts in a symposium
Pop Stars are younger
Drake Will continue to dominate and encompasses the streaming age like no other artist.
People is expected to purchase vinyl records again
In the past five years, the number of times you visit a band’s Wikipedia page can tell if a band is going to break in the next year or so. For instance, about eight months before The Weeknd began to play across radio stations throughout the country, there was a huge spike of views on their Wikipedia page. And there are now firms that create analytics of data of the number of YouTube clips that are played. Another way record labels or representatives of an artist are able to tell if an artist is going to break is through the use of Shazam (an app that identifies the media playing around you). Shazam is able to show the most “Shazamed” song in your particular area.
Previously, record executives would instinctively know this song or artist was going to be a hit. But that led to repetitive-sounding music that often was the same thing time and time again. Now we have songs and artists that sound really distinct, and that diversity is in part because it’s possible for the data and technology to draw attention to people’s taste.
The millennial generation is the first that has been able to experience music almost entirely out of chronology. Because of the internet, we are able to explore any era or kind of music at any time. As a consequence, there are fewer successful albums and more one-hit wonders. Technology has influenced the way we define a successful album. Earlier generations have a tendency to create links with the ownership of music through cassette tape and CDs. At the same time, radio is pulling us in a more conservative direction in terms of playing fewer songs with little diversity.
But the millennial generation associates music and music ownership with the internet and cellphones. For them, the access to music via the internet results in almost a paralyzing effect of having so many choices. For instance, with so many opportunities, if you choose restaurant A, you are missing out on restaurant B, C, or D. It’s similar with music.
Smokey Robinson will be the next recipient of the Library of Congress Gershwin Prize for Popular Song. Robinson, whose half-century career has included dozens of top 40 hits including such classics as “Going to a Go-Go,” “You’ve Really Got a Hold on Me,” “The Tracks of My Tears,” “I Second That Emotion” and “The Tears of a Clown” was described as the “poet laureate of soul” in a statement announcing the honor.
The Prize, which honors a living musician’s lifetime achievement in promoting songs as a means to cultural understanding, inspiring new generations and entertaining audiences, will be handed out in Washington, D.C., in November. Previous recipients include Paul Simon, Stevie Wonder, Sir Paul McCartney, Carole King, Billy Joel and Willie Nelson.
In 2007, the National Recording Registry of the Library of Congress named “The Tracks of My Tears” as one of the nation’s culturally, historically or aesthetically significant sound recordings. Robinson scored solo hits as well as chart-toppers with the Miracles while writing hit songs for Marvin Gaye, Temptations, Mary Wells and the Marvelettes and spawning covers by the Beatles (“You’ve Really Got A Hold On Me”), the Rolling Stones (“Going To A Go-Go”), Michael Jackson (“Who’s Loving You”) and The Supremes (“I Second That Emotion”).